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A mistake in space. With my art, I focus on the connection between the built environment’s perfections and the art form as a generated error in it. I use indetermination as a method of work collaborating it with randomness.
Recently I started focusing on the topic of confabulation and the objects thereof. I create expressive, closed forms on a pottery wheel where afterwards I cut out certain raw parts of it to stimulate the understanding of the object’s movement. The missing pieces is given a chance to be in or out at the same time. When the marks of the physical cutting and the firing is observed, our minds try to replace the missing parts- but, it will never be the same as what it was initially.
We are writing a new story from the marks, creating a virtual prosthesis.